Lucy Barton finds herself in hospital for 9 weeks fighting a mysterious virus. Her estranged mother suddenly shows up and stays for 5 days. It is this intimate visit that becomes the catalyst for Lucy (and the reader) to meander back into Lucy’s childhood, marked by the shame of extreme poverty and abuse. Her mother spends a lot of time talking about the secrets of others, while never being willing to reveal any of her own. Sitting patiently at Lucy’s bedside through night and day, refusing a cot, her mother says, “I’m used to catnapping. You learn to when you don’t feel safe.” Lucy must come to terms with the scars of her past as well as her vocation, marriage, and family relationships.
Strout is always in full command of a story. What I love about her writing is that she can evoke powerful emotion without an iota of sentimentality. Many things about Lucy’s childhood are merely hinted at as she explores this strange mother daughter relationship through some harrowing memories. Not all of it is spelled out on purpose. Strout respects the reader enough to leave gaps that can be filled in different ways depending on what the individual reader brings to the reading. It is at first glance a simple story, character driven, and sparse, but very rich in texture. The slim novel has very short chapters and lots of white space…it felt like the publisher too was leaving room for interpretation and reflection. But Strout is the kind of writer who can use few words to say an awful lot. Olive Kitteredge is my favourite of her books so far. Still The Burgess Boys and Amy & Isabelle to go!
I love learning about the human body and the field of medicine. The human body is amazing. As I was reading this book, the phrase “fearfully and wonderfully made” kept cropping up in my mind. Enders has written a fascinating guide to the lowly digestive system–an undervalued miracle of an organ that may be hidden from view and kept from polite dinner conversation, but hugely affects our health and well-being.
Every morning just before we run for the bus/metro or hop into our cars, we gobble down our toast and tea, breakfast cereal, or coffee and croissant, and never give another thought to the fact that our insides have gone to work as well. Enders presents a lively look at the gut for the layperson. She tackles the topic with good humour and sound medical knowledge–always a winning combination when discussing things like bacteria, stool formation, and passing gas. Whimsical illustrations by her sister Jill, are instructive for ‘digesting’ the information. In addition to describing how the system all works, she also presents a case for close links between the gut and the brain which I found particularly interesting. The phrase ‘gut reaction’ may be more accurate than we ever realized!
This is a brilliant new roadmap of romance in the digital age, presented by actor and comedian Aziz Ansari, who you may know from NBC’s Parks and Recreation. Ansari teams up with sociologist Eric Klinenberg to discover how communicating through smart phones and social media are affecting a generation of digital natives. What are the subtle pleasures, problems, and stresses associated with things like online dating, using texting as the primary dating communication, and creating profiles designed to “sell you”on match.com? How has smart phone technology affected the seedier side of love life like sexting, infidelity, and breakups via Facebook?
From long lasting monogamous relationships to casual sex, Ansari and his research crew do a fine job of highlighting the romantic landscape today as compared to generations ago when you were more likely to marry the boy down the street. Having a whole world of possibilities at your fingertips is a huge advantage to that scenario, or is it? Does it create more anxiety and higher expectations for finding your ‘soulmate?’ Is the tyranny of choice creating more stress over too many options and actually creating less satisfaction… ‘hmmm, this is good, but might there be something I missed still out there?’
Being a comedian, Ansari is frank and funny. He does use some rude language to get laughs but that didn’t bother me. His humour helps with what could be awkward conversations about intimate issues. The book is entertaining and insightful–a timely and thoughtful cultural study from a sharp comedic voice. Geared to the 25-40 set, I think it also has value for older folks who complain about “those kids always on their phones.” Every generation has its own stuff to deal with and understanding, not judgement, is key.
Here is the author’s essay in Time which gives a great overview of the main points.
“Your ad in the Saturday Review of Literature says that you specialize in out-of-print books. The phrase ‘antiquarian book-sellers’ scares me somewhat, as I equate ‘antique’ with expensive. I am a poor writer with an antiquarian taste in books and all the the things I want are impossible to get over here except in very expensive rare editions, or in Barnes and N0ble’s grimy, marked up school-boy copies.”
So starts this real life 20 year correspondence between a brash American writer in New York and a proper British gentleman who works in the Marks & Co. bookstore in London in 1949. She is witty, informal and sarcastic while he, in sharp contrast, is highly professional and extremely polite. Yet they develop an affection for each other over the years. He sends her the books she is looking for and she sends him care packages from America since Britain was at that time still dealing with shortages and rationing after the war. I enjoyed the first half of the book with the letters more than the second half which is about Hanff’s visit to London after the correspondence ended.
This book is charming in its old world feel, no doubt because these letters were still written on paper and sent through the mail in envelopes with stamps. That charm bubble would certainly be burst for any bibliophile who would now go looking for Marks & Co. (as I did on Google Maps). 84 Charing Cross now houses a McDonald’s restaurant! There is a movie adaptation produced by Mel Brooks starring Anne Bancroft, Anthony Hopkins, and Judi Dench. Here is the trailer.