In this young adult novel, a teenager thinks that she has done something so bad, that the only person who could possible understand, is a convicted murderer on death row. The book takes the form of letters sent to this prisoner, telling him her secrets and slowing revealing the story. It did hook me in at the start, but went on too long and fell rather flat for me in the end. The extreme guilt for the ‘crimes’ committed by herself and her mother, were not as believable as I had hoped. The novel lacked depth and redemption.
The book does illustrate how hard it is for teens to confide in anyone at all. And the author does capture well the type of angst a teen can feel when things are difficult at home or at school. Even friends can easily let you down and it is easy to feel very alone in the world. Pitcher’s other book ‘My Sister Lives on the Mantelpiece’ is an award winner, so perhaps I should have picked that one up instead of this newest one.
Gary D. Schmidt is an award winning young adult author who teaches at Calvin College, my alma mater. His books are deep, well crafted and multi-layered, yet very readable, full of humour, and witty. His specialty is coming-of-age stories. In a speech, he once shared his fascination with those transitional moments when a youngster leaves childhood and heads toward adulthood. Schmidt’s books appeal to people of all ages, in fact, I sometimes wonder if adults and judges like his books better than the middle school tweens his books are pitched at. Adults reading these books will remember how hard adolescence is and appreciate Schmidt’s humour and pathos around the difficulties of this age. Someone once said, “The only thing harder than going through adolescence is watching someone you love go through it.”
Middle school boys are notoriously difficult to hook into reading. When I was working as a high school librarian, I was always looking for those gems which were compelling and readable, yet well written. Books like Hunger Games and Harry Potter are the ones which would draw reluctant readers in, while Schmidt’s books would usually only be read by those who were already avid readers.
Gary D. Schmidt Website
‘The Wednesday Wars’ is a slightly exaggerated comic tale of middle school woes. It features Holling Hoodhood a 7th grade student who must spend his Wednesday afternoons with his teacher Mrs. Baker because the rest of the class is receiving religious instruction. Holling feels he is being punished because the teacher, on those afternoons, makes him read Shakespeare. The story is set during the Vietnam War which adds a sober element to the story and places everyday muddles into perspective. Holling tries not to get into trouble, but this seems impossible when he has things like bullies and angry rats to deal with, and they’re making him wear yellow tights in the school play!
In a companion book to the ‘Wednesday Wars’ Doug Swieteck calls his new home “The Dump” and he endures a move to a small town where he knows no one and everyone else knows everyone. It’s 1968 when the Apollo space missions were happening and the Vietnam war was going on. He suffers from a number of abuses and is barely surviving complete despair. But when Doug makes a discovery at the local Public Library, things start to turn around. Someone kind takes an interest in him and he discovers that being passionate about something can make all the difference in the world. In ‘Okay for Now’ Schmidt gets a firm grasp on a heartbreaking topic and manages to coax out some hope and redemption. But in a realistic way, since we can all relate to a time when the answer to “How are you?” can only really be “Okay for now” and that’s okay. The earthy and gritty beginning to the story hooked me in immediately, but halfway through it became a bit unbelievable. Even though the ending was not ‘happily ever after’ for everyone in the story, I did find it got tied up a bit too neatly and too sweetly. I did love the way he wove the Audubon pictures of birds into the story.
‘Trouble’ grapples with the idea of how to live in a world with trouble. There are some very Calvinist themes in this book. The story begins with a tragedy that sparks racial tension between two communities. One night Henry’s older brother Franklin is accidentally hit by a pickup truck driven by his Cambodian classmate Chay Chouan. Henry’s father alway said, “If you build your house far enough away from Trouble, then Trouble will never find you.” But what now? It is a study in contrast and is all about grace. Forgiveness and grace make things ok again, at least for now. Henry feels helpless in the situation but decides to act. After rescuing a Black Dog from drowning, he attempts to climb Mt. Katahdin, something he and Franklin were planning to do together. It becomes for him, not only an adventurous challenge, but a journey of redemption and self-discovery.
This captivating, beautifully written, and moving story is about a boy whose mother is struggling with cancer. Complete with unique and dynamic illustrations it is not just something to read, it is an experience not to be missed.
Although written for tweens (9 – 13), this is an important book for adults to read because it gets to the heart of how a child’s thoughts and feelings can be conflicted and confused at a time of grief and loss. It is a sad story but not sentimental. The purpose is not to upset, but to bring about understanding and healing.
The backstory makes the authorship even more poignant. Patrick Ness was given an original idea from YA author Siobhan Dowd, who tragically died of cancer before she could write it herself. Here follows the book’s description, it is better that I don’t say more.
“The monster showed up after midnight. As they do. But it isn’t the monster Conor’s been expecting. He’s been expecting the one from his nightmare, the one he’s had nearly every night since his mother started her treatments, the one with the darkness and the wind and the screaming….. This monster is something different, though. Something ancient, something wild. And it wants the most dangerous thing of all from Conor. It wants the truth.”
Jodi Picoult is one of those famous authors whose name is printed larger than the title on the cover of a book. Many have read at least one of her bestselling novels. She is a master at taking a difficult issue, representing all aspects of it through her character’s perspectives, and delivering a good storyline with lots of plot and conflict.
‘Between the Lines’ is Picoult’s first young adult novel and it is unique because she wrote it together with her teenage daughter Samantha. What they set out to write was a timeless, ageless, old fashioned fairy tale with a modern romantic twist for a new generation. It would be visually pleasing as well, with beautiful illustrations and a story that would stand the test of time. In this I think they succeeded except that I think the target audience would be younger than typical YA age, more like 9 – 12 range.
In the introduction Picoult writes about how she and her daughter worked together on the novel, not only doing the hard work of imagining how the story would be written and where it would go, but taking turns typing and saying most of the lines out loud.
Imagine if characters had a life of their own when the reader wasn’t around? And what if the characters were tired of being stuck in a story that always had the same ending? What if the reader could help a character escape? This of course is fantasy. By definition a fantasy is imagining the impossible or improbable. Fantasy is important, especially for children. It allows children to vicariously experience things like love, longing, fear, failure, anger etc., all in a safe environment so they can wonder about how they themselves would react.
Picoult says her fans asked her to write something for their children, to introduce them to her writing until they were old enough to handle her heavier adult books. She has delivered, and this one will live happily ever after with all of her other novels.
Although this book might get high marks from many for action and imagination, I found it painfully cliché with poorly crafted writing and a disjointed plot line. However, that is not to say that it has no value for readers.
‘Gone’ is the first in a series, followed by ‘Hunger’, ‘Lies’, ‘Plague’ and ‘Fear’. The end of the series is coming out in 2013 and will be called ‘Light’. The ending of this first instalment definitely does not end and sets up for a sequel. So, this dystopian series might be a good choice for a reluctant teen reader who will be swept up by it and will enjoy carrying on with the series. Arguably, everyone needs a series from time to time. I wouldn’t be at all surprised if Gone was picked up for the movies, it almost reads like a movie already.
The set up for the story is interesting enough. One day, in the blink of an eye, all of those fifteen and older disappear, leaving a generation of youngsters bent on survival. Gone. Just take a minute and imagine that. Immediately getting rid of the adults is a popular device that many authors use eg. Chronicles of Narnia and Lord of the Flies. In some cases it help to declutter the world of adult issues, allowing the fantasy to breathe freely, and of course in Lord of the Flies, it was to expose human nature in its most basic form, focusing on tendencies such as individualism vs. the common good.